Establishing firmly the key of D-flat major as the prevailing tonic, elegant passagework leads to the Scherzo’s beautiful con anima melody. This introductory passage, vacillating between the keys of B-flat minor, D-flat major and F minor, and ending in the latter, breaks off in anticipation of the arrival of the scherzo’s main theme. Colossal fortissimo chords then sound in resounding response. It begins with a short motif based around the notes of the B-flat minor triad ending questioningly on its fifth. Chopin composed his second of four scherzos for the piano in 1837. Information - Concerts, News,FAQs, Archives. Organs - Electronic (B3 etc.), Pipe, Theatre. Who's Who - Professional Pianists on Piano World Member Recordings - Non Classical Pianist CornerĮVENTS! Piano Concerts, Recitals, Competitions.įun Stuff! - Parties, Tours, Projects & More.įorum Members Parties, Tours, Cruises, & M. MY NEW PIANO or KEYBOARD! - Share Your Story!
Chopin put it very beautifully but I forget the quote.ĭigital Pianos - Electronic Pianos - Synths &a. Your left hand is the right hand's leader. Don't neglect your left hand in the B section during the right hand arpeggios. This applies for the chords in the main theme too if you're having trouble getting the rhythm to sound snappy. Once you've established that you've hit the note, move on to the next one. Don't do this! My best advice to have good accuracy here, and in any piece of music, is to land on each note mentally too, not just physically. I lost productivity from that and wound up having accuracy problems. In the laughter-like climax of the A section, I rushed the learning process and never started slow. Make sure every chord is clearly enunciated or else you will wind up with a weak, sloppy sound. With the chords in the main theme, play deep into the keys. With the second scherzo in particular, if you can play the codetta well, you can play the whole piece. Unlike the ballades, the scherzi are in sonata form and use a lot of the same material which makes learning much quicker.
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